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  Encouraging and promoting the collecting and enjoyment   
of the glass of Frederick Carder   


About Frederick Carder  |  About Carder Steuben Glass  |  About the Club  |  Contact Us |  Print This Page     

Steuben's Acid Etched Patterns

Frederick Carder used several different decorating techniques on his Steuben glass. One of the more important techniques is acid etching. Acid etched patterns could be made on cased glass which made a contrasting pattern on the glass or the pattern could be made on a single color. The acid etched process is described beginning on page 112 of The Glass of Fredrick Carder by Paul Gardner. Basically it involved engraving a pattern on a flat glass or metal plate, filling the pattern with wax and transferring the wax pattern to the object to be etched using paper as a transfer medium. When the object was placed in a hydrofluoric acid bath the glass that was not protected by the wax was removed. Occasionally a piece will be found where it appears that the acid bath did not completely remove the top layer of glass. An example of this is found in Figure 10.34 of Tom Dimitroff’s book Frederick Carder and Steuben Glass

Carder used more than 235 patterns for his acid etching. These patterns were applied to any number of the different shapes. The patterns on cased glass often took one of two forms. The first was just a simple pattern and was produced with one emersion in the acid bath. The second was what is now called double etched. The first etch was the same as the single etch described above. After the first etch a new small background pattern was applied and the glass went though a second etch producing a more complex pattern.

When the acid etched process was applied to a single color glass the pattern could be etched much more deeply than was usually done with a cased glass. This process was often called “sculptured” or “carved”. There is now a certain amount of confusion concerning these two terms. The existing factory records use these terms as descriptive terms for other patterns. An example is Sculptured Carrara which was a deeply etched pattern in a white glass that resembled Carrara marble. Now, these two terms have taken on other meanings and are often used as pattern names themselves.

Carder Steuben Lamp - 1455






Etched Patterns vs Shape Numbers
This document is an expansion of the list of etched glass patterns beginning on page 117 of the Gardner book. The first column lists the patterns in alphabetical order. The second column lists the shape numbers that those patterns were known to have been made in and the third column lists the location of a drawing or photograph of that pattern on that shape number where a drawing or photo exists.

Click to see the list of Etched Patterns vs Shape Numbers


Shape Number vs Etched Patterns
This document is a reverse look-up of the document above. The first column lists the shape numbers in numerical order. The second column lists the etched patterns that those shape numbers were known to have been made in. The third column lists the location of a drawing or photograph of that shape number with that etched pattern.

Click to see the list of Shape Numbers vs Etched Patterns













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